It covers the following strands and sub-strands:
- 2.0 Multimedia Arts (2D Art)
- 2.2 Graphic Design – Typography
- Analyse the concept of typography in visual communication
- Identify features: typeface, spacing, and colour contrast
- Illustrate calligraphy text for seasonal cards
- Construct grids for clear and uniform block lettering
- Value of constructive criticism and peer assessment in design
- Layout planning for borders and balanced text
- Create typographic messages using graffiti styles (bubble, wildstyle)
- Experiment with stretching letters and incorporating visual symbols
- Design bold typographic posters for civic awareness campaigns
- Formal critique of typographic artworks and exhibitions
- Fabric Decoration – Tie and Dye
- Introduction to African (Adire) and global tie and dye samples
- Essential tools and materials: 100% cotton, reactive dyes, resist-dyeing
- Demonstration of the spiral folding and tying method
- Applying dye and colour placement to avoid muddying
- Finishing techniques: rinsing, removing unfixed dye, and colourfastness
- Exhibiting tie-dyed fabrics and conducting gallery walks
- Portfolio review based on design clarity and technical skill
- Fabric Decoration – Batik
- Origin and significance of batik in global cultures
- Core principles of wax-resist dyeing techniques
- Wax removal process using absorbent paper and ironing
- Self-reflection on design principles: balance, proportion, rhythm
- Addressing technical challenges (cooling wax, dye seepage)
- Drafting comprehensive process reports and records
- 2.2 Graphic Design – Typography
- Indigenous Crafts (3D Art)
- Pottery
- Fundamental differences between 2D and 3D art (volume and space)
- Traditional and modern pottery samples and clay models
- Using modelling tools (wooden ribs, sponges) for refinement
- Planning form and building complete vessels (vases)
- Sculpture – Carving
- Modelling (adding material) versus Carving (subtracting material)
- Examining natural grain in wood and soft stone carving
- Safety rules for handling carving tools (chisels, V-gouges)
- Roughing out phase versus refinement and detailing
- Role of sculpture in African societies (religious, status symbols, storytelling)
- Presenting relief sculptures and explaining concepts and materials
- Documenting methods in artist journals or process diaries
- African carving traditions (Makonde) versus global sculptural styles
- Pottery


